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The palette of her new wardrobe, every item of which was extensively documented on social media in the time it took Kim to emerge from the revolving door of her hotel, centred around pale blush, soft camel and rose pink. An ankle-length Celine coat in soft ballet-slipper pink, which had hitherto been admired only within insider fashion circles, was catapulted on to the world stage. In September 2013, the same month that Kim was slaying Paris in her pink coat, Cara Delevingne starred in a pink-themed shoot in British Vogue that saw her carrying two puppies dyed a fetching shade of sugar pink, and Marks & Spencers 85 pink duster coat became a high-street sensation. Fast-forward six months and the first look of Chanels blockbusting autumn/winter 2014 show , which saw the interior of the Grand Palais เสื้อผ้าผู้สูงอายุ ไซส์ใหญ่ in Paris reinvented as a supermarket, was Cara Delevingne, the girl of the hour, in a ripped, ab-baring pink tracksuit. By early 2015, saccharine pale pinks were all over fashion week, เสื้อผ้าผู้ใหญ่ from Topshop Uniques crushed velvet trouser suit to Pradas sugary double-breasted blazers, slightly shrunken so that the models took on awkward, Alice In Wonderland proportions. Dismiss pink at your peril, for this is no flash in the pan. Pink has always been complicated. For a start, it became associated with femininity only halfway through the 20th century, before which it was a colour worn by flamboyant men. In 1837, the rowers of Westminster school and Eton college raced for the right to wear pink; Westminsters rowers wear the colour to this day. Historically, women in art are more likely to be depicted in blue, the colour traditionally worn by the Virgin Mary.
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